The Hundred Headless Woman by Max Ernst
My rating: 3 of 5 stars
The drawings in Max Ernst surrealist collage novel recollect Victorian black and white woodblock illustrations: nude women, besuited men, fantastic creatures, games, crimes, and conveyances encountered by Germinal/Perturbation, the hundred headless woman on her visit to a troubled dried-up earth, accompanied by Loplop the Swallow, "the Bird Superior".
References to mystery and religion throughout plus overt mention of impressionist painters of the era (Seurat, Cezanne, Rosa Bonheur) and other figures, Jules Verne, Mata Hari. Might be a fine college thesis and probably has been. Fascinating but still mysterious and worthy of rereading.
According to Andre Breton, The Hundred Headless Woman : La Femme 100 tetes will be preeminently the picture book of our day, wherein it will be more and more apparent that every living room "has gone to the bottom of a lake" which, we must point out, its chandeliers of fishes, its gilded stars, its dancing grasses, its mud bottom and its raiment of reflections. Such is our idea of progress that, on the eve of 1930, we are glad and impatient, for once, to see children's eyes, filled with the ineffable, open like butterflies on the edge of this lake while, for their amazement and our own, fall the black lace masks that covered the first hundred faces of the enchantress.
"
View all my reviews
No comments :
Post a Comment