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Location: Seattle, WA, United States

Native Seattlite Former bookstore manager and eternal book lover. Now writing and traveling.

Sunday, August 4, 2024

Hold Still ****

Hold Still: A Memoir with Photographs by Sally Mann
My rating: 4 of 5 stars

Not only are the author's stunning photos and a collection of family history snapshots included in this memoir, the writing is exceptional. And an interesting story of growing up in the South coping with dramatic family events and race and politics. And always creativity and art.
Linking to current creative monster discussions, Sally Mann (Photographer) talks about the distinction between the images she produced and their creator (accused by some of immorality). "Do we deny the power of For Whom the Bell Tolls because the author was unspeakably cruel to his wives? Should we vilify Ezra Pound's The Cantos because of its author's nutty political views? Does Gauguin's abandoned family come to mind when you look at those Tahitian canvases? If we only revere works made by those with whom we'd happily have our granny share a train compartment, we will have a paucity of art."
Highly recommended.

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Saturday, March 30, 2024

Heroines

Heroines by Kate Zambreno
My rating: 5 of 5 stars

There are some disagreeable reader comments about the author's excessiveness in this book, but I applaud its combination of memoir and literary commentary about the women writers who are psychologized and pathologized by their creative male partners, i.e. Zelda Fitzgerald, Vivien Eliot (Painted Shadow: The Life of Vivienne Eliot, First Wife of T. S. Eliot), Jane Bowles, Jean Rhys, June Miller (Henry and June), Sylvia Plath, Anaïs Nin, as well as fictional characters in Virginia Woolf, Kate Chopin, Gustave Flaubert, Anna Kavan, H.D., Elizabeth Hardwick'sThe Ghostly Lover, etc. In Charlotte Perkins Gilman's The Yellow Wallpaper, the doctor tells the woman writer "to never touch pen, brush, or pencil as long as you live." Kate Zambreno describes "mean reds," fears of abandonment, her IBS and endometriosis, obsessive shopping, and her history of depression and sleeplessness, hence shrinks, pills, hospitalization as one of the "slit-your-wrist girls." She is accused of writing which is too personal, too emotional, too excessive. While some of the stories were familiar, I was sorry to finish this enlightening book and I was grateful for the extensive bibliography of over 150 books and articles about these women's lives. My TBR (To Be Read) quakes under the strain.

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